Devendra Banhart : "Mala"

Za sve je kriva Ana. Njena zarazna ljupka pojava i dela koje vas teraju da surfate i surfate, pa tako i njenog dragog da "skenirate". 
a on, kao i ona zarazan, toliko da sve što ste slušali do sada, ostavite, i krenete da puštate i puštate samo njega.
toliko zarazan!

INFO:
devendra je anin dečko.
yess, correct answer.
devendra(31) je venecuelansko-američki muzičar (latino strana dominira!:).
prvi album je objavio pre 11 godina.
njegova muzika najviše podseća na skladnu fuziju indie folka, electro chilla i latino zvuka. 
poslednji, osmi po redu album "Mala" izašao je 12. marta tekuće nam godine i već je dobio odlične kritike!

za njegove rime najzaslužniji su kako on kaže Morrissey, Nirvana, avantgardni kompozitor Harold Budd, zatim Guns N' Roses,  Yo La Tengo, soundtrack brazilskog filma Black Orpheus, Caetano Veloso i mnogi drugi. 
danas ga možda najviše inspiriše Ana.
Veza upravo sa srpskom dizajnerkom, ali i kompletna atmosfera pesama o "broken" srcima, inspirisala je Devendru da se namerno poigra s rečju "mala", koja kod nas ima jedno značenje (svima poznato), a kod Španaca drugo (španska reč za osobu ženskog pola koja je bila bad, bad girl:). Na kompletnom albumu dominira fantastični gitara vajb, koji se prepliće u raznolike tonove i ritmove. 

Ceo album "začinio" je i Anin i Devendrin mellow, sweet electro duet "Ur fine petting duck" o devojci koja želi da ostavi svog dečka zarad bivšeg u kojem Ana peva:  "Come back baby , I never really loved him. I'll take ya back, I never really loved him...", dok joj Devendra odgovara: "If he ever treats you bad, please remember how much worse I treated you. If he doesn't try his best, please remember that I never tried at all..."
A onda cela pesma odu u neki electro house fazon i oboje počinju da pevaju na nemačkom. Samo tako, odjednom. Eto, i kako da ga ne voliš!

Ovaj duet definitivno spada u top 5 sa najnovijeg albuma, pored ovih jednako zaraznih:

Sjajan, ako ne i jedan od najboljih intervjua koje sam pročitala (s nekim muzičarem) Devendra je skoro dao za muzički internet portal Pitchfork. Vrlo slikovito i iskreno osvrnuo se i na prosidbu Ane, ali i muziku, inspiraciju, filozofiju....prevoditi ga ili reći mojim rečima, bila bi greota pa izdvajam samo deliće, a vi obavezno skoknite do linka za celinu:

Pitchfork: The Mala track "Daniel" tells an affecting story of a whole relationship-- the start, the end, and beyond-- in just a few lines. The economy of the songwriting is impressive.

DB: I'm so happy you used that word in particular-- "economy" has always been part of my whole thing. I look at the words like a food budget; I'm going to the bodega and I've got four bucks, how do I make a meal? I don't know if I have an economy of words, but that's the goal. I went through this shift. As anthropomorphic and surreal people have said my early writing was, to me it was really stock and almost banal in the sense that it was just description, the poetry of comparing: "Your feet are like A, and your eyes like B."

But now I've moved a lot closer to my favorite kind of poetry, which is Japanese poetry; it doesn't say what the thing is like, it just says what the thing is. One of my favorite haikus goes: "New Year's/ Stars in the sky/ Vomit in the streets." It's so perfect, it's an entire film. My favorite poem actually is by Oswald de Andrade. It's called "Amor"-- that's the title-- and the poem is: "Humor." A one-word poem. It's very full. It doesn't need more words. I've always wanted to write a song that goes, "I love you" and a book that goes, "Something happened." Something very direct. I have yet to do that, but now I'm trying to say the most in the least amount of words.

zaraza je inače počela upravo od jedne male, bad girl, i nastavila se preko Santa Maria, Brindo, Cristobal, Freely..., garant neki biser propustih, ali za početak imate dovoljno da uživate.

na preslišavanje:)